A loving film tribute to Russian filmmaker Larisa Shepitko, who died tragically in a car accident in 1979 at the age of 40. This documentary by her husband, Elem Klimov, includes excerpts from all of Shepitko's films, and her own voice is heard talking about her life and art.
Elem Klimov's grief-stricken elegy Larisa examines the life of his late wife—the film director Larisa Shepitko—through a series of direct-address interviews and photomontages, set against a mournful visual-musical backdrop. Typically, Klimov films his subjects (which include himself and several of Shepitko's collaborators) within a stark, snow-covered forest, its tangled web of trees standing in as metaphorical representation of a perhaps inexpressible suffering, the result of Shepitko's premature death while filming her adaptation of Valentin Rasputin's novella Farewell to Matyora. Interweaving home movie footage with sequences from Shepitko's work (Maya Bulgakova's pensive plane crash reminiscence from Wings takes on several new layers of resonance in this context), Larisa's most powerful passage is its first: accompanied by the grandiose final music cue from Shepitko's You and I, Klimov dissolves between a series of personal photographs that encompass Larisa's entire life, from birth to death. This brief symphony of sorrow anticipates the cathartic reverse-motion climax of Klimov's Come and See, though by placing the scene first within Larisa's chronology, Klimov seems to be working against catharsis. The pain is clearly fresh, the wound still festering, and Klimov wants—above all—to capture how deep misery's knife has cut.
I'll be there for you
“我还记得第一次来读剧本，我第一个看见的人就是你，但我不记得你穿了什么。”
番长摘下面具后 我在心里大喊：我又初恋了！
“没人说过人生会是如此这般，做着没出息的工作又没钱，恋情总是胎死腹中，人生仿佛一直卡在二档，每天每周每个月都不顺遂，甚至是每一年。但我会陪在你身边，因为你也都陪在我身边。”
一秒回到大学时代！我太爱他们每一个了，Rachel Ross Monica Chandler Joey Phoebe！Love Forever，Friends Forever！PS：编剧关于剧完结的理由，说服了我，“我们有了自己的家庭，朋友自然渐渐离我们远去，所以这部剧自然而然走向了结局。”
The fact that these episodes were not filmed in actual apartment rooms makes me feel so weird...
“如果我们在某些派对或宴会上遇到彼此，我们会坐下来长谈而不顾其他，不是因为我们不礼貌，而是因为我们真的遇到了很亲密的人。”
9.5/10.
你永远可以相信这个整天摇屁股的五岁孩子要表达的东西有多么深刻。
作为一个爱刷剧的混子，其实post-friends era仍然看了很多主演们的作品。Rachel自不必说，Ross演了卡戴珊她爸，Joey在sitcom里演起了老爸有招，Chandler在傲骨贤妻里当反派。重聚之时颇为唏嘘，我更想看的是六个人的故事，被华纳和HBO MAX搞成了噱头大于内容，一堆明星来宣讲。情怀之人觉得不够情怀，凌乱的100分钟。
顾不上吃臭豆腐，先号啕大哭，好像跟他们一起变老了
我竟然还是会跟着笑，那些经典集真的太好笑了。
smellycat smellycat what r they feeding u
早起刷回忆
他是否依旧那么年轻 是否依旧那么热情
风间只是想和春日部防卫队一起变成精英，人啊走着走着就散了，谁还记得幼稚园的朋友啊（emm，我竟然没上过幼稚园）
是演员、剧组人员对青春的怀念，是对所有人青春的怀念
没有老友记情怀加持，单纯觉得剪辑好乱，除去主角和配角的其他人出镜很尴尬
20210528，Mark；20210529，室内剧的传奇，播放1000亿次，描述年轻人的友情与爱情，长盛不衰，该类电视剧的顶峰。The Reunion，很好的回顾了Friends的来龙去脉，包括选角、幕后花絮、粉丝反馈等。希望这些美好的人类感情长存屏幕，10分
风间只是想和春日部防卫队一起变成精英，人啊走着走着就散了，谁还记得幼稚园的朋友啊（emm，我竟然没上过幼稚园）
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