The family are put through their paces, to get fit to face the future using some of the latest gadgets and gizmos, including electric bikes to get them out of their cars. But, to test if they really work, the family are set some tough challenges: to take on pro-cyclists on Sheffield's notorious hills and do the weekly family supermarket shop on two wheels. There are also computers to take over the jobs that humans used to do, from a prototype robot dietician that talks to you as it monitors what you eat and how you exercise, to a computerised version of a personal fitness coach to monitor and map your exercise regime. Super-fit Joel also tests out scientifically designed post-workout suits created to get your body back in shape, promising 50% less fatigue! In the newly-futurised bathroom there's a £5000 mirror that monitors your health by reading your weight, BMI and body fat percentage (as well as displaying news, weather and social media sites), and a toilet that gives you an intimate 'wash and blow dry'. Meanwhile, the family are on a diet of 'super shakes' - tipped to take off in the next decade as smoothies did in the last one - complete with spirulina, raw cocoa and bee pollen. Can it help diabetic dad Tony control his blood-sugar level? And there are more edible medicals, as the family experiment with Japanese sweets that promise to boost your collagen or even make your breasts grow. SERIES SYNOPSIS What happens if you ask a normal family to boldly go where no one has gone before - to live in the future? This five-part series transforms a family's home from top to bottom, filling it with futuristic technology and gadgets. As well as having cutting-edge technology and gadgets to play with, the family will be challenged by scenarios likely to come in the next 20 to 50 years. Overseen by expert Chris Sanderson, the family will discover how we may work, rest and play, as well as how we may eat, travel, stay healthy and power our homes.
要是真的能明天就好了。
池松壮亮表演品质稳定。真的是自然体。伊藤在这部里表现得也不错。
看评论一众拿来和花束比较的，可是真的被花束甩十条街
除了伊藤是出租车司机和池松很喜欢地球之夜以外好像并不能说和原作有多大的关联。和住高円寺的朋友一起看说是发现了很多家附近的场景。尾崎已经这么もじゃもじゃ的了吗。
日常碎片。在无人的商店街跳舞。丢进垃圾桶的向日葵。支払、空車，脚摔着了也至少追两步啊。生日当天从常去酒吧回来，傻站在窗边等日出。伊藤很合适野原。有时候会有野原才是男主的错觉。地球之夜的cosplay很有趣。
没什么意思，流于表面。看不出两人深爱过，只展现一些嬉笑打闹。也没有cp 感。太多鸡汤金句。配乐不合适，歌词契合但旋律不对剧情。整部电影像片尾曲的加长mv，专为片尾曲制作。挺无聊，挺假的。
情侣间温馨平淡琐碎的日常 伊藤莎莉和池松壮亮用细腻贴地的演技给这个故事增色不少 片中几次女主的泪点都和我的泪点重叠 会让人不自觉的跟着笑跟着哭让人共情 这才是爱情片应该有的样子
虽不至于《花束》那么矫情…也偶尔出现一些看似演的不错的地方（演的最好的地方就是那个奶油蹭脸），但真就像小学生的流水账，还有那个坐树下的老爷爷到底干嘛用的，讨厌说教感！我是被海报骗进来的…
它的2.0倒叙版#稍微想起一些；
p.s.喜欢海洋馆和从剧场出来后在街巷里跳舞的片段。
那些在海洋馆里模仿游鱼的打闹、躲避保安时偷偷的亲吻，在深夜巷里肆无忌惮的共舞，在沙发上过生日抹奶油再亲吻和拥抱，从第一次在出租车里不舍别离司机助攻表白被亲吻堵住嘴，到在出租车里各执一词的对爱的争辩，是我稍微想起的一些爱情的模样。
这种叙事方式未免太过残忍了，一点点拼凑回到爱开始的地方，一起走过的小巷，一起喝过的酒，一起打闹的时光，越往美好的开端去回忆就越让人心痛。
只是在某个瞬间想起了一点 「语言相通就一定能心灵相通吗」「不说出来一定不行」 注定离开的结局 但是美好过 7月28日 蛋糕可以吃 人会忘记 东京奥运会结束了 新冠疫情快点过去
那些亲密又明亮的时期，仅仅是稍微想起一些，也依然让人留恋，不知道又能勾起多少普通人的普通回忆
很不错，开车的女主好像《驾驶我的车》的感觉
感觉像是《我们都无法成为大人》的姐妹篇 不过剧本稍微薄弱了一些 但我真的好吃倒叙这一套！另外感觉海报做得太差劲了！以致于一直都没能有想看的冲动
因为被那首《拥抱》打动过，所以最后才会觉得情绪被反噬。不明白陈正道为什么要这样夹带私货，这样做的意义到底是什么，为了让一个女生彻头彻尾认识到自己只是笑话，是配角，是陪衬吗？情感上没有办法接受。
滑滑梯、拉着手起舞、海洋馆、失败、愤怒、游戏、势均力敌、说不清道不明的互相吸引。前几周oh card抽到的爱原来在说这部电影啊… 那看电影同时在聊天的人会不会就是那个恋人
有一部描写错过的爱情的日本片，特有的孤独感，整片的叙事慢、慢、慢，爱的人很喜欢给5星，不爱的人觉得很闷的片，啥也讲不深刻，为赋新词强说愁，人物逻辑交代无法说服我，演员的表演也很淡。
我们都由过去塑造而成，那些偶然回想起的片段，其实早已经成为我们的一部分，那些人，那个人，也是如此。
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