Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
冲着c9看的 解放日志的短评里某个姐妹的愿望是真的哈哈哈哈（doge）全钟瑞姐姐太有魅力了 好有灵气 演技好！！
略神棍, 但主旋律鸡汤及格了, 直给的爱妻傻大个沙赞谁不爱呢
喝酒时的对话最为有趣，鲜于贞娥的配乐也很轻盈，收尾收得不好，但真的好喜欢这两个演员。
我就很喜欢孙锡久哈哈哈，女主的吐槽和黄段子一样有趣，情节虽然俗套可是人物性格太戳我了。以及我也好想找个餐馆吃肉喝烧酒以及痛快地吐槽啊！！
女主的台词真的都很意思，另外有趣的一点就是去前任的婚礼抢走礼金册，让前任下半辈子都活在不知道该给别人包多少红包的痛苦里，要命这个 好缺德好喜欢
张丽薇真的太高大了，像个温柔的大狗狗（这种又正直又专一又温柔的大帅哥现实中真的存在吗）。整个故事套路差不多但是演员们的演技都很过关，完成度很高，中间有些桥段还是很感人的，很喜欢结尾对真实中他们大儿子的关注，让这个故事更有温度
居然是去年的电影但是看着好有年代感😂演员很不错子剧情到结尾的时候有点垮
中了孙锡久的毒 妈的 这男人怎么能集欲跟丑萌为一体呢 要去重刷超感猎杀了 女主性格赞爆 希望也可以这么酷 可以直视着人痛快的随心所欲说话
“和谁做爱时更舒服(爽)，他说和我做更舒服，但是却想跟那个人结婚，说是更爱她。”
化学反应很好，全钟瑞我可以，就是确实剧本太套路了
我得再看五遍电话才能把姐姐在我心里的形象从这无聊片子里解救出来
剧本比较套路，但是男女主化学反应超棒。醉醺醺的孙锡久很讨喜！
情节还是老套的，表面上谈性，实质上还是在说情。孙锡久和全钟瑞的化学反应比预想的要好。
故事很简单！演员也很好！很励志！💪值得看姐妹们冲！
多给0.5分，希望自己的博士生涯也能像他一样
视障孩子唱歌还是很感人的
2022#2部电影：女主太酷了，洒脱不羁！为了孙锡久来的，该说不说，看得心满意足嘿嘿嘿嘿，多一颗星给他（不过前期写专栏这事是真的混蛋）
喜欢🍊精，单纯因为想看孙锡久来的，满足了，所以不管剧情好不好，给四🌟😂
故事毫无新意，演员到还演得不错，尤其全钟瑞，四两拨千金的感觉，不得不感叹，有些演员就是有天赋又灵光。
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