Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
或许很多人会觉得老套乏味，但看着动画里鲜活的动物角色，很难不共情，每一个角色都表现出了自己的闪光点，包括克劳利小姐和Porsha，刻画的太棒了，rise and shine那一句立马想起魔法保姆，一半的笑点都在变色龙助理上，最后的演出真的很惊艳，创意也好棒，每次看这样的电影都好激动好开心！
唱唱歌就能把所有问题都轻松解决了，incredible！动画可以不讲物理现实逻辑，但人物思维逻辑不能过于胡来。
剧情太悬浮 远不如第一部 就纯粹来听歌的 镜头是真屌啊 建模跟疯狂动物城用的是同一套素材
我说，那啥好听?他说，肖邦。。。
连着第一部看的，第一感觉是套路太重复：筹备演出-演出受挫-秘密筹备一个没人看好的表演-惊艳所有人。而且第一部里好看的人物成长在第二部里变成了（让人似曾相识的）冒险，总觉得角色也变扁平了，反而是Miss Crawly一下子出彩了。
他们那个演出是真的只会有小朋友爱看的……不可能在那种超级大剧院演出的……
选择的歌曲证明环球这两年唱片真不好卖……厌倦了专业班子做草台班子大胜专业班子的童话故事了，鸡汤致幻害人不浅啊。
有几首我喜欢的歌加成max（狼毛感觉很好摸的样子(⁎⁍̴̛ᴗ⁍̴̛⁎)
伏笔都合上了，这个看得好爽♥️♥️♥️♥️
走向影子的镜头真是绝了！果然影子还是得呆在阴影中。但是你有四千多年的历史哦？
上集没有好好发挥的小猪冈特终于有了自己的姓名，不得不说U2太适合这个设定了，请一集一集唱下去吧！
最后的show没有顶起来。环球想用动画片与迪士尼抗衡，还要多在icon上加油，迪士尼光卖Anna的玩具就已经赚得盆满钵满了，这个片都拍到第二部了，那只大猩猩的公仔出货没有？
角色塑造受第一部限制比较明显，狮子的动机转变有点生硬。但依旧很欢乐很好听演出很享受。
彼此双方，是不远万里追随而至的光，是政治理想的寄托，是潜伏黑暗中搅动风云的成就，是决然而然的放手，kswl🤤
让我想起了纸牌屋里下木总统忠实的幕僚道格，不过金云焕比起下木总统多了道德感，手段就差太多
热闹非凡，但少了第一部的惊艳，有点走过场了。不过隔着屏幕都觉得塔伦·埃哲顿帅啊！
其实总是有选择的，只是我们从没勇气去做出对的选择。
想法不错，看的版本翻译太烂了……剧情没啥紧张，看了容易困
第二部和第一部比起来场面大了些，惊喜少了些，从头就能看到尾的作品，确乎过于模式化了一点。
如果信仰可以轻易的崩塌，还能称之为信仰么？
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